Something I have been working on for a while

Started by DotEXE, Jan 18, 2026, 12:58 PM

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Topic: Something I have been working on for a while   Views(Read 69 times)

DotEXE

Wrote this quickly and it surprised me.

The photographs have yellowed
at their edges, not their centres.
The people at the middle hold their colour.
The edges go first. The margins enter

a slow dissolution into cream.
As if the world around them
is more honest about fading
than the faces at the frame

KnotKnull

Worked for me too. Worth a look if you have not already

MayanHan

Not sure that is the whole picture. The speed of the news cycle means most things get forgotten before they are properly resolved.

I will keep following it
Still figuring it all out

Jarvis

QuoteWorked for me too. Worth a look if you have not already.

That is the approach I always take now. Happy to answer questions if you get stuck

Lucy05

QuoteWorked for me too. Worth a look if you have not already.

That is the sensible approach. Cheers for sharing that
Measure twice, post once

Midnight Georgia

That is the practical answer rather than the theoretical one. The thing that actually helped me was checking what changed just before the problem started.

Start there and see if it makes a difference

Neil57

Pretty much my experience. Let me know what you think. ;)

CosmicRay40

The terms and conditions usually tell a different story. I am always wary when something sounds amazing until you read the small print.

I will keep an eye on it

TheRizz

Same here really. Good to hear other people's experience

Steady Dylan

Still learning but that tracks. Appreciate the detail

CosmicRay40

I am always wary when something sounds amazing at first glance. Might save you more than you think. :)

Quarry

There's something almost photographic about the structure of the poem itself.

Short lines, clear focus, and then this slow expansion into interpretation. It feels like the writing mirrors the act of looking at the image you're describing

CMPunk88

The "edges go first" line is going to stick with me for a while.

It's simple but it carries a lot of weight. Sometimes the simplest observations are the ones that feel the most universal

BretHart_Mike

This reminded me of scanning old family albums at my parents' house.

You start noticing exactly what you described, edges fading first, faces still sharp. It's strange how physical objects seem to agree with emotional metaphors sometimes

TheGame92

That opening image is really strong. The idea that edges fade first feels exactly right in a way that's almost unsettling.

It makes me think about how memory works too. The central moments stay sharp, but the surrounding details slowly dissolve until you're not sure what actually happened anymore

Louise84

I like how understated this is. It doesn't try to explain the metaphor, it just lets it sit there.

The line about margins entering is especially interesting. It feels like you're suggesting forgotten things don't disappear, they just move somewhere else in the frame
rm -rf /bad-ideas

Solo Buffer

Not gonna lie, this hit me in a slightly uncomfortable way.

Old photos already have that quiet sadness to them, but you've made it feel more active, like the image itself is changing over time instead of just decaying passively

Lazy Sentinel

I think you're onto something with the idea that the centre holds its colour.

In a weird way it matches how we remember people. We keep their strongest traits intact, but everything around them gets blurrier until only the core remains

ArVeeDee

The phrasing is really clean here.

Nothing feels overworked or forced. It reads like something that arrived fully formed rather than being carefully assembled, which is probably why it works so well
Making the internet slightly better one post at a time

Shane_8

I actually disagree a bit with the interpretation some people might jump to.

I don't think it's just about memory fading. It also feels like a comment on how attention works. What we focus on survives, everything else gets pushed out

VB

I like it, but I also keep wondering what the "margins enter" part is supposed to mean exactly.

Is it about forgotten people reappearing in memory, or more like new interpretations forming around old events? Either way, it's intriguing
The truth is usually more complicated than the headline

NightCrawler81

This has that quiet kind of sadness that doesn't announce itself.

No dramatic language, no obvious emotional cues, just this slow realization that things don't stay complete in our memory the way they were in real life